A Feminist Farce?

Daisies is the first film we have screened by a female director that focuses on women protagonists. Yet this film is far from an easy film to interpret. Do you see a feminist "message" in the film? Or is this film lampooning such a message? Is this film highlighting and ridiculing sexist views of women? What about the fact that the women protagonists are hardly the paragons of virtue (They have, after all, "gone bad.")? Please enlighten us.

Food, Glorious Food

The two main characters in Daisies are constantly eating or at least playing with food. They have lavish dinners at restaurants, bathe in milk and playfully slice bananas and sausage. This trend culminates in the scene in which they sneak into a feast, indulge their palettes, and engage in a food fight. What is the point of all this food, glorious food? Can you make sense of the use of food in at least some of these scenes?

Umbrellas v. Top Hats

One way to look at the Umbrellas of Cherbourg is as a radical revisioning of the tradition of the Hollywood musical.   In what ways does it changes stylistically from such films as Top Hat?  How does it change thematically?  Are their visions of love similar or dramatically different?  Are Guy and Genevieve "In Heaven" in the same ways as Jerry and Dale?

What's New About the New Wave

French New wave auteurs like Demy envisioned their films as a radical re-visoning of the static filmmaking of the French studio system. What experimental ideas or techniques did you notice in Umbrellas of Cherbourg (could you explain in some detail)? How do these experiments change the way we enjoy a film? Are they engaging or annoying? Do they bring meaning to the film? Do they make fun of the whole idea of bringing meaning to film?

Mono No Aware

Mono no aware is the Japanese idea of the awareness of the transience of beauty and the ultimate sadness of life. After watching Early Summer can you better understand this concept? Where there scenes that evoked both feelings of joy and sadness, moments of beauty and tears?  What were your emotions at the end of the film?  What did you think about some of the images we discussed in class: the waves, the photograph, the child's balloon?  Are there moments when you felt the sadness and the beauty of life?

Sushi and Baseball

Early Summer depicts a Japan in transition.  Defeated and occupied by the Americans, the Japanese both cling to their traditional ways and embrace new ideas from their occupiers.  How does the movie show this transition?  Does this movie make a judgment about the new American influence?  Is there a political slant, however subtle, in this film?  What does this movie think about baseball, hot dogs, and apple pie?

All in the Family

Early Summer shows the relationship between two aged parents, their grown children and their grandchildren. The young children are rebellious and demanding.  The grandparents try to buy their grandchildren's affection.  The parents and brother try to manage the younger sister's life.  Choices about everything from buying an expensive cake to choosing to marry (and to whom one marries) have implications for everyone.  Eventually the family so painstakingly captured in a photograph breaks up, as Noriko marries and moves to the provinces and her parents move near the great uncle.  How accurate is this portrayal of family life? Is this a "slice of life" (and part of the reason it feels as if "nothing happens")? Does this remind you of your family? Is this how families work? Focus on one scene or character and discuss what it tells us about the dynamics of family life.